Young Artists and Record Labels

Blogpost

November 2, 2020

Label - Entprima Publishing

Many young musicians ask themselves how they can control their career. The longing for recognition of their talent is great. There are many marketing specialists on the net who offer good tips for such artists. At the end of this post I will post some links.

But even if you get the best out of the tips, the subject is not finished, because it means an enormous effort and a lot of work. That a record company would do this work in appreciation of talent is a big dream, but it is only a pipe dream. You have to take a critical look at the interests of the artist and the record company.

Surely both parties want to make money in the end and not lose it. Unfortunately, business models have such an inherent nature that an investment is necessary at the beginning, and the profit is only earned later. How much later it may be, is the decisive difference between artist and record company.

The artist’s drive is passion, and passion often shifts the profit expectation far behind, depending on the survival model. Record companies do not have that much patience. That’s why they reduce their investment in new artists to a minimum and rely on the newcomer’s own efforts. This means de facto that in the beginning, the whole burden of artist development continues to rest with the artist. A record company is not an artist management! You have to know this difference.

Nevertheless, a record contract can be useful, because building up your own distribution of the recordings also takes up a lot of time. Unfortunately, there are endless differences between such contracts, especially with regard to the size of the company. Of course, this article cannot cover all the peculiarities of the music business, but there are a few aspects every newcomer should be aware of.

A record label is not an artist management.

A record label invests only in dependence of visible listener acceptance.

The artist must prove this acceptance, if possible before signing a contract.

The work on one’s own development of the artist profile does not end with the drawing of a contract.

The contacts of the record companies may give rise to sudden opportunities. The artist must then immediately be in a position to take advantage of these opportunities.

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The Founder

My name is Horst Grabosch and I am the mastermind of all projects presented on this website. I was born in the largest coal mining area in Germany, known as the “Ruhrgebiet”. After school I worked as a professional musician until I was 40 years old. This time is well documented on WIKIPEDIA After a burnout I had to give up my job, moved to the south of Germany, to the Munich region, and did an apprenticeship as an information technologist. Another burnout forced me to rebuild my existence again, which collapsed just because of the corona crisis. In expectation of poverty at retirement age, I began to build a second career as a musician in 2019.

Newest Music

Tropical Fruit Mix - Horst Grabosch, Alexis Entprima

Tropical Fruit Mix

Horst Grabosch and Alexis Entprima with a new dance track that again goes into the leg as well as the brain. A poppy horn section, borrowed from the days of Chicago and Blood Sweat and Tears, is at the center of the song. As you would expect with Grabosch’s compositions, there are also extensive quotes from the blues and a guest appearance by the Peking Opera – all perfectly molded into a tropical house track.
Talk to Me - Horst Grabosch & Alexis Entprima

Talk to Me

Horst Grabosch continues to surf the wave of summer with his alter ego Alexis Entprima. Today his message is “Talk to Me”, which is always better than “Shoot on Me”. Like the last summer singles, it is electronic dance music with always different subgenres, like electro or Future House in this case. And again Grabosch invites some eclectic guests. In this song a rock band sounds from another world. There’s definitely a different way to be boring.

I Need You Now - Horst Grabosch, Alexis Entprima

I Need You Now

The song is a dance track in Future House style. As usual with the eclectic producer Horst Grabosch, elements from other worlds appear. The title of the song appears in the comprehensible lyrics, but is only a thematic orientation. The story is told in the music and in the cover. It is about loneliness and the desire for togetherness in a crazy world. A slowly but steadily growing listenership begins to understand the overall concept of the soul-seeker in his books and songs. Interestingly, we also find other electronic producers expanding their stylistic and sonic repertoire within a single song. The pioneering attitude of the artist Grabosch seems to follow a trend. It is no coincidence that Grabosch also urges more anarchy in thinking in his books. It is a very special anarchy that does not exhaust itself in the struggle for resistance, but refuses to obey partly unspoken rules. One could call it a liberation of the mind.

See You Again - Horst Grabosch, Alexis Entprima

See You Again

‘See You Again’ is a drum ‘n’ bass style track. The book author and music producer Horst Grabosch works with onomatopoetic voices in his emotional international songs. Mostly only the title is understandable in English. But this title expresses the mood of the song. Here it is about meeting again in life or even afterwards. New soul food from the soulseeker Grabosch. Easily consumable music with surprises and depth. Also suitable for chillout or lounge issues.

Easy - Horst Grabosch, Alexis Entprima

Easy

So how should we classify this song? The only word we can clearly understand from the voices is ‘Easy’ and that’s exactly how the song comes across. It’s not the first time Grabosch has poured out his magic over a fairly commercial base. Yes, there are a lot of samples involved, but so ingeniously integrated that soul really shines through and in addition there are his inconspicuous but pretty melodies, which he always artfully puts together from the samples or plays in himself. Easy is a song that puts you in a good mood. A young couple walks on the beach and protect themselves with an umbrella against the sun. Everything is easy, even listening, as melodic elements reminiscent of easy listening of the 90’s resound over the loose electro house groove. An eclectic mix of modern electronic music and traditional elements of pop history. Swinging chillout music.

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Newest Insights

Tropical Fruit Mix

Horst Grabosch and Alexis Entprima with a new dance track that again goes into the leg as well as the brain. A poppy horn section, borrowed from the days of Chicago and Blood Sweat and Tears, is at the center of the song. As you would expect with Grabosch’s compositions, there are also extensive quotes from the blues and a guest appearance by the Peking Opera – all perfectly molded into a tropical house track.

Talk to Me

Horst Grabosch continues to surf the wave of summer with his alter ego Alexis Entprima. Today his message is “Talk to Me”, which is always better than “Shoot on Me”. Like the last summer singles, it is electronic dance music with always different subgenres, like electro or Future House in this case. And again Grabosch invites some eclectic guests. In this song a rock band sounds from another world. There’s definitely a different way to be boring.

I Need You Now

The song is a dance track in Future House style. As usual with the eclectic producer Horst Grabosch, elements from other worlds appear. The title of the song appears in the comprehensible lyrics, but is only a thematic orientation. The story is told in the music and in the cover. It is about loneliness and the desire for togetherness in a crazy world. A slowly but steadily growing listenership begins to understand the overall concept of the soul-seeker in his books and songs. Interestingly, we also find other electronic producers expanding their stylistic and sonic repertoire within a single song. The pioneering attitude of the artist Grabosch seems to follow a trend. It is no coincidence that Grabosch also urges more anarchy in thinking in his books. It is a very special anarchy that does not exhaust itself in the struggle for resistance, but refuses to obey partly unspoken rules. One could call it a liberation of the mind.

Alexis Entprima

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Entprima Publishing

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