Te Whakatairanga me te Tika

My first period as a music professional ended at the age of 40. Like most of all musicians, I was a performing artist, not a holder of rights. Not until I became well known in the scene, I got some requests for compositions. I tell this, because it is extremely important for own invests in promotion.

As a performing artist, you can play your ass off without gaining a sustained income. And indeed with the end of my first career, I just had reserves for about two years, in spite of nearly 4.000 gigs before. Transformed to all businesses, it means: The more rights you own, the more useful promotion invests should be.

Whakamatau
Ko te hua he whakarahihia. Mena ka kii mai nga kaiwhaiwhai e rua o to hua ki etahi atu e wha, ka tiimata te tiimata. He pono ka taea e koe te whakapiki ake i nga moni ki tenei mea ano he mema o te roopu, engari kia roa ra e mahi ana koe i roto i te kaupapa. Ka tangohia e te rangatira tika nga huringa ora katoa o te hua. E au ra e mea taaihia te reira, tera râ, ua ite au i te hoê ite ore i roto i teie paari.

Te Tika Tangata
Ko te pakihi puoro e ki ana i nga tauira whakamataku mo taua take. Ahakoa nga superstars me whakauru ano ki te atamira, i te wa e koroheke ana, kua ngenge ratou, na te kore moni. Ko nga hua ka puta i nga tapanga nui anake, no te mea ko ratou te rangatira tika. Ka taea e koe te whakahua ko enei turanga mo te wairangi o nga kaiwhakaari, engari whakaarohia nga ahuatanga, i kaha kaha koe ki tetahi kaupapa, me te whakaatu i nga mahi kaore i utua mo nga wawata kore. Ko te tumanako tenei ka whakamahia e te hunga pakihi mohio ki te akiaki i a koe ki te mahi me te kore e whai waahi ki nga tika.