Japanese Breakfast is the musical observation of a Japanese ceremony from a Western cultural perspective. Men and women have gathered for breakfast. Voices with Japanese speech sounds suggest a shy erotic exchange of the sexes. The girls first fuel the erotic fantasies with flirtatious chants before the guys respond in an emphatically casual manner. The rhythmic basis is a house groove which is adapted to the typical strictness of Japanese culture. Emotional swings are only hinted at by sparingly used elements, which then also rather stem from the culture of the observer who senses the crackling erotic tension in a seemingly completely controlled environment. The contradiction of displayed innocence and passion creates an almost palpable tension that is the enduring appeal of the music. The story is not completed and continues in the listener’s mind. This is musical storytelling in the form of a pop song. The sound space is appropriately set by unobtrusive lo-fi elements. This is eclecticism drawn with a fine blade. If you had to classify it somehow I would call it “Intercultural storytelling in lo-fi house garb”.

Lofi, lo-fi or low fidelity, lo-fi hip-hop. A fairly new building block in the genre craze. Here’s an EP from easy listening, or maybe study beats? Anyway, curious author and music producer Horst Grabosch fires from all guns as long as it serves his message. A collab/project with Captain Entprima which was designed for relaxation. Yes, relaxation must be – as usual from the academically trained old master on a high musical level. Here wonderfully simple melodies played with alienated piano sounds.

A new story by Horst Grabosch from the “Heroes of Work” series. This time the focus is on the profession of forester. Of course, Karl-Heinz Flinte does not fit the stereotype of a forester. On the cover, he looks more like a climate activist. But that is exactly Grabosch’s twist. The three episodes reveal the diversity of the activity. Flinte also occasionally shoots a boar when necessary, but he also suffers with the weakened trees and cares for the forest’s human visitors – after all, that’s what he’s paid to do. Just as with his music, he sits between all chairs, but the chairs always represent only a limited view. Grabosch always chooses individual themes and musical genres for a song, but in the process they form a whole picture over time. This picture is irritatingly diverse in terms of pattern formation. Perhaps this is precisely how Grabosch demonstrates our general lack of acceptance of the complexity of the world. But he always keeps his humorous wink.

With the story of pool attendant Adelwart, Horst Grabosch presents the second release from the series “Heroes of Work”. With three episodes in this maxi-single he pays tribute to people who daily make their peaceful contribution to the functioning of our world. All three contributions of German poetry and musical eclecticism have the same jazzy base and vary in the small poems in German that form the song lyrics and in the soloistic elements. We are once again surprised by the variety of styles in Grabosch’s songs. There is jazz in this song and the jazz trumpeter, who was internationally successful many years ago, shows how to integrate styles when you have practiced them yourself.

With the story of Nurse Hildegard, Horst Grabosch opens a new box of his imagination. With three episodes in this maxi-single, he pays tribute not only to professions that are socially important, but even more to the people who daily make their peaceful contribution to the functioning of our world. All three musical pieces have the same musical base and vary in the small poems in German that make up the lyrics of the song and in the solo elements. Other tributes to other professions have been announced. The series is entitled Heroes of Work. We are looking forward to more humorous episodes with new musical styles, as we are used to from the eclectic Grabosch.