Beethoven vs. Drake

Blogpost

January 17, 2021

Beethoven vs. Drake - Entprima

No doubt about it – Ludwig van Beethoven was an outstanding composer. Nevertheless, when viewed objectively, it is astonishing how penetratingly his, and other works of so-called classical music, are still performed by the highly subsidised symphony orchestras 200 years after their publication.

Over many years, a value system has established itself in many cultural systems that is worrying. The administrators of the subsidies claim that it is a democratic process because the public simply asks to hear these works. But who is this audience?

It is an elite minority that cherishes its conservative value system because of its financial power. But if the preservationists already have so much money, why does the taxpayer, who listens to popular music in the majority, have to pay so much on top?

Even the collecting societies still weight their payments to composers according to a dubious value of the works. This discussion has been going on for a long time, but it is being conducted with unequal weapons. The powerful, big labels rely on stars who earn millions. A highly qualified violinist of a leading symphony orchestra seems like a loser, but this view distorts the argument.

It is fundamentally undemocratic when value systems are artificially kept alive. The decisive course for humanistic and fair value systems is set in education. While music teachers today still want to convince pupils of the apparently timeless quality of Beethoven, the pupils listen to hip hop with their hidden Bluetooth earbuds.

Perhaps it would be wiser if the teachers would let themselves explain why the children prefer to listen to hip hop rather than Beethoven. Lifelong learning is not only for the others. In the open learning exchange, the secret of the balance between emotion and reason could save the lives of many pubescents and lead to organically grown value systems that do not have to be kept alive by force.

RESPECT

I am no idealist, and love is sometimes too much of a good thing for me. I think that respect which excludes racism and nationalism per se is enough. Respect also allows a personal retreat when other attitudes to life conflict too much with one’s own.

PROSPERITY

Wealth is always relative. But I would grant everyone the right to enough food, a solid roof over their heads and the opportunity to develop their talents. If some people think they need to keep the current prosperity gap, they should buy a few more luxury cars – what the hell – I’m not a communist.

SERENITY

The first two demands are a prerequisite for making serenity possible for the poor at all. It is likely to be a great challenge for all the half-rich, because in my opinion the hunt for the WORK-LIFE-BALANCE is nothing else but the fight against the constantly threatening poverty in the existing social system.

The Founder

My name is Horst Grabosch and I am the mastermind of all projects presented on this website.

I was born in the largest coal mining area in Germany, known as the “Ruhrgebiet”. After school I worked as a professional musician until I was 40 years old. This time is well documented on WIKIPEDIA

After a burnout I had to give up my job, moved to the south of Germany, to the Munich region, and did an apprenticeship as an information technologist.

Another burnout forced me to rebuild my existence again, which collapsed just because of the corona crisis. In expectation of poverty at retirement age, I began to build a second career as a musician in 2019.

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Listening instructions for my music

Music is also fundamentally an art form. All art forms have offshoots in the form of “commercial art”. Paintings are produced as wall decorations for homes and music is also sold as acoustic background music for everyday life. Some artists react to this practice by linking an artistic claim with this social attitude. Andy Warhol’s “Pop Art” is an example of this. Art critics and curators, who are supposed to be an aid to interpretation for art lovers, initially find it difficult to deal with such works because they are strongly linked to art history. This is why innovations in art are often promoted by art fans. That’s why I’m addressing you directly, dear art lover.

Artificial intelligence (AI) and emotions

The use of artificial intelligence in music production has become a hot topic. On the surface, it’s about copyright law, but hidden within that is the accusation that it’s morally reprehensible for artists to make use of AI in production. Reason enough for a concerned person to take a stand on this. My name is Horst Grabosch and I am a book author and music producer at the Entprima Publishing label.

Censored by Apple

When asked by the distributor, the album violated an Apple rule: “it is considered very generic for Apple Music, so it can have many copyright overlaps”. Since the album is an acoustic meditation and soul journey and comes under the genre “New Age”, I did some research and found dozens of albums with recordings of singing bowls. What is more generic than the recording of a sound body without additional structured content? The 13 tracks of my album are clearly highly artfully arranged and very different pieces of music. What is the problem?

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