God of Fullness


November 22, 2021

God of Fullness

Scientific cosmology and spirituality are not opposites. The idea of a creation – of God – cannot come from nothing.

It’s time for a bold thought that removes a few seeming incongruities. As a person raised in Christianity, I, like many other skeptical people, have had a fractured relationship with religions over time. Nevertheless, throughout my life I have been able to observe a fundamental trust in God. Moreover, the study of religious writings gave me the insight that, despite all time- and culture-related incompatibilities of individual passages with my personal convictions, the authors were truly no fools. So I thought about how one could transfer the single truths into a theory which includes the contradictions. This theory would then also facilitate the acceptance of diversity in the world recognizable for us.

Of course, the current knowledge of science is my starting point, because it describes what we can really recognize. This distinguishes my possibility elementarily from the purely on thought constructs of the founders of religion, who at that time had no usable scientific knowledge about the nature of the world. The attempt of the union of science and religion seems to me currently quite underrepresented. Obviously, there is no great interest from both sides, which has to do, according to experience, with human weaknesses such as fear of losing power, fear of making oneself ridiculous and others. As a layman in both disciplines, I can neglect these fears.

The initial idea of this article was born from a video and in particular a graphic from it >  Source: YouTube > String Theory and the End of Space and Time with Robbert Dijkgraaf > Click picture for Videolink.

God of Fullness - Grafic

The graph shows our current knowledge in the experimental search for the smallest and the largest. Actually the video is about string theory, but since I have only a very limited understanding of physics, I extract from the thoughts the information accessible to me. I see a kind of membrane on both sides of the scale that currently separates knowledge from assumed inferences. On the small scale it is something called “quantum information” in the graph, and on the large scale it is the “multiverse”. The inference from the assumption of a multiverse seems clear to me: “We live in one of many universes whose laws may be completely different.” If we assume that quantum information is the starting point of these universes, we come suspiciously close to the fundamental idea of God.

I’m taking a little step back here to my own reflections to show why this graphic electrified me so much. Artists are always asked how a painting, a song, or whatever is created. I know the answer from my own experience, and it is felt the same way by many other artists. The simplest description of the initial spark is the word “idea”. A little more flowery formulated it is a grain from which a small structure is formed, and the rest makes this structure then actually itself – under the direction of the artist. I always say then: “The universe does the rest”. Wow, that sounds kind of like the big bang, doesn’t it? I’ve seen many documentaries about the Big Bang, and one point has always bothered me. That a universe arises from a singularity, as cosmology calls it, still coincides with the experiences just described, but from what does the singularity arise? Mostly this consideration is rejected by the statement that we are simply too stupid to understand this. So the idea remains that it originates from the nothing. That EVERYTHING arises from NOTHING, however, stands in the most blatant conceivable contradiction to our experiences, and ends in the end also in NOTHING. Then we can extinguish the earth confidently, means nothing.

Now I conclude once with my layman understanding from the theory that the origin of our universe lies in a soup of quantum information of whatever kind. So to speak as a bouquet of information which ignited like the idea to a song ignites and created a universe of the possibilities. This makes much more sense to me than the singularity from nothing. It would also be to be assumed that the qualities of the possibilities developed from the bouquet, as for example people, has absolutely something to do with the original information and does not absurdly take up “ideas” from the nothing. Even the existence of the word “absurd” together with its meaning is an indication for the finiteness of our catalog of possibilities.

Now we are one step closer to the idea of God, but it is neither the God out of nothing, who is then put into an arbitrary suit by us, but rather the God of fullness. As a critical spirit, nothing is further from my mind than to take over the negligently missed efforts of the powers of religion here. This work, dear religion honorees in your fancy robes, you already have to do yourselves. But what I would like to do at this point is to call for a dialogue between praying people and agnostics. The bouquet of possibilities holds more than taking each other for idiots.

The thought model described here does not exclude the possibility of a contact to quantum information. Quite the opposite, because we can experience intensively that for example the information of our origin (parents) works vehemently in our personality. It is always worth an attempt in the form of spirituality. Better than killing each other. The idea may mean an unacceptable further complexity for many, but at a closer look it is a simplification with regard to the unbearable idea of material infinity. At least our universe would turn out to be finite, and that is ultimately our playground. Eternity would then be the playing field of our soul and it can handle infinity much better than the bodily ego.

The Founder

My name is Horst Grabosch and I am the mastermind of all projects presented on this website.

I was born in the largest coal mining area in Germany, known as the “Ruhrgebiet”. After school I worked as a professional musician until I was 40 years old. This time is well documented on WIKIPEDIA

After a burnout I had to give up my job, moved to the south of Germany, to the Munich region, and did an apprenticeship as an information technologist.

Another burnout forced me to rebuild my existence again, which collapsed just because of the corona crisis. In expectation of poverty at retirement age, I began to build a second career as a musician in 2019.

Newest Music

Tropical Fruit Mix - Horst Grabosch, Alexis Entprima

Tropical Fruit Mix

Horst Grabosch and Alexis Entprima with a new dance track that again goes into the leg as well as the brain. A poppy horn section, borrowed from the days of Chicago and Blood Sweat and Tears, is at the center of the song. As you would expect with Grabosch’s compositions, there are also extensive quotes from the blues and a guest appearance by the Peking Opera – all perfectly molded into a tropical house track.

Talk to Me - Horst Grabosch & Alexis Entprima

Talk to Me

Horst Grabosch continues to surf the wave of summer with his alter ego Alexis Entprima. Today his message is “Talk to Me”, which is always better than “Shoot on Me”. Like the last summer singles, it is electronic dance music with always different subgenres, like electro or Future House in this case. And again Grabosch invites some eclectic guests. In this song a rock band sounds from another world. There’s definitely a different way to be boring.

I Need You Now - Horst Grabosch, Alexis Entprima

I Need You Now

The song is a dance track in Future House style. As usual with the eclectic producer Horst Grabosch, elements from other worlds appear. The title of the song appears in the comprehensible lyrics, but is only a thematic orientation. The story is told in the music and in the cover. It is about loneliness and the desire for togetherness in a crazy world. A slowly but steadily growing listenership begins to understand the overall concept of the soul-seeker in his books and songs. Interestingly, we also find other electronic producers expanding their stylistic and sonic repertoire within a single song. The pioneering attitude of the artist Grabosch seems to follow a trend. It is no coincidence that Grabosch also urges more anarchy in thinking in his books. It is a very special anarchy that does not exhaust itself in the struggle for resistance, but refuses to obey partly unspoken rules. One could call it a liberation of the mind.

See You Again - Horst Grabosch, Alexis Entprima

See You Again

‘See You Again’ is a drum ‘n’ bass style track. The book author and music producer Horst Grabosch works with onomatopoetic voices in his emotional international songs. Mostly only the title is understandable in English. But this title expresses the mood of the song. Here it is about meeting again in life or even afterwards. New soul food from the soulseeker Grabosch. Easily consumable music with surprises and depth. Also suitable for chillout or lounge issues.

Easy - Horst Grabosch, Alexis Entprima


So how should we classify this song? The only word we can clearly understand from the voices is ‘Easy’ and that’s exactly how the song comes across. It’s not the first time Grabosch has poured out his magic over a fairly commercial base. Yes, there are a lot of samples involved, but so ingeniously integrated that soul really shines through and in addition there are his inconspicuous but pretty melodies, which he always artfully puts together from the samples or plays in himself. Easy is a song that puts you in a good mood. A young couple walks on the beach and protect themselves with an umbrella against the sun. Everything is easy, even listening, as melodic elements reminiscent of easy listening of the 90’s resound over the loose electro house groove. An eclectic mix of modern electronic music and traditional elements of pop history. Swinging chillout music.

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Censored by Apple

When asked by the distributor, the album violated an Apple rule: “it is considered very generic for Apple Music, so it can have many copyright overlaps”. Since the album is an acoustic meditation and soul journey and comes under the genre “New Age”, I did some research and found dozens of albums with recordings of singing bowls. What is more generic than the recording of a sound body without additional structured content? The 13 tracks of my album are clearly highly artfully arranged and very different pieces of music. What is the problem?

A Deeper Meaning of Lo-Fi

First a brief introduction for those who have never heard the term Lo-Fi. It defines the intention of a piece of music in terms of sound quality and is a provocative contrast to Hi-Fi, which aims for the highest possible quality. So much for the tip of the iceberg.
Philosophically, Lo-Fi is a departure from the “higher and further” of our world. At a time when even Hi-Fi is no longer enough for many, and Dolby Atmos (multi-channel instead of stereo) is establishing itself as contemporary, the Lo-Fi trend takes on an almost revolutionary air. I would like to highlight 2 aspects of Lo-Fi that underpin this claim.

Mother Tongue and Discrimination

Quote: No German-language title in the Top 100 of the Official German Airplay Charts 2022.
BVMI Chairman Dr. Florian Drücke criticizes the fact that not a single German-language title can be found in the Top 100 of the Official German Airplay Charts 2022, thus setting a new negative record for a trend that the industry has been pointing out for years. At the same time, the study shows that the variety of genres listened to, including German-language music, continues to be great. In the music offer of the radio stations this is not reflected however. The fact that songs in German don’t play a particularly big role on the radio is not a new phenomenon, and the industry has addressed and criticized it many times over the years.

Alexis Entprima

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